🔥 📝 Fixed #148 Add English language support.
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exampleSite/content/post/08-no-header-title/index.en-us.md
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exampleSite/content/post/08-no-header-title/index.en-us.md
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---
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title: "Articles without H1-6 header and comments"
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description: "Used to test whether the directory navigation of an article will be directly closed and the comment function will be disabled without the H1-6 title header"
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keywords: "toc,header"
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date: 2025-01-29T19:45:16+08:00
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lastmod: 2025-01-29T19:45:16+08:00
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categories:
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- Example
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tags:
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- toc
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- Title
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comment:
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enable: false
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url: "demo/no-header-title.html"
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expired: true
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---
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Liu Cixin's acceptance speech for the 2018 Clark Prize (excerpt from some content).
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> [!INFO]
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> Used to test whether the directory navigation of an article will be directly closed and the comment function will be disabled without the H1-6 title header.
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<!--more-->
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Good evening, gentlemen and ladies,
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I am honored to receive the Clarke Award for Imagination in Service to Society.
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This award is a reward for imagination, which is a human ability that seems to belong only to God, and its significance far exceeds our imagination. Historians have said that the reason why humans were able to establish civilization beyond other species on Earth is mainly because they were able to create things in their own brains that do not exist in reality. In the future, when artificial intelligence surpasses human intelligence, imagination may be our only advantage over them.
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Science fiction is a literature based on imagination, and the first one that left a deep impression on me was Arthur Clarke's works. Except for Jules Verne and George Wells, Clarke's works are the earliest Western modern science fiction novels to enter China. In the early 1980s, China published his works "2001: A Space Odyssey" and "Rendezvous With Rama". At that time, the Cultural Revolution had just ended, and the old life and beliefs had collapsed, while the new had not yet been established. Like other young people, I felt lost in my heart. These two books activated my imagination for the first time, and my thoughts suddenly became much broader, with the feeling of a small stream flowing into the sea. On the night I finished reading '2001: A Space Odyssey', I walked out of my house and looked up at the starry sky. At that time, the sky in China was not too polluted, and I could see the Milky Way. In my eyes, the starry sky was completely different from the past. For the first time, I had a sense of awe towards the vastness and mystery of the universe, which was a religious feeling. And later I read 'Rendezvous With Rama', which also amazed me at how imagination can be used to construct a vivid imaginary world. It was these feelings brought to me by Clarke that later made me a science fiction writer.
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Now, more than thirty years have passed, and I gradually realize that our generation born in China in the 1960s may be the luckiest people in human history, because there has never been a generation before that has witnessed such a huge change in the world around us. The world we live in now is completely different from the world we grew up in, and this change is accelerating. China is a country full of a sense of the future. China's future may be full of challenges and crises, but it has never been as attractive as it is now. This provides fertile soil for science fiction novels, which have received unprecedented attention in China. As a science fiction writer born in China in the 1960s, it is a stroke of luck.
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I look forward to one day, like those science fiction novels that once described the information age, science fiction novels that describe space travel will become mundane. At that time, Mars and the asteroid belt were boring places where countless people made a living; Jupiter and its numerous satellites have become tourist destinations, and the only obstacle preventing people from going there is the expensive price.
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But even at this time, the universe remains a vast and unimaginable existence, with the nearest stars still out of reach. The vast starry sky can always carry our infinite imagination.
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Thank you all.
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> [Click to read the full text](https://weread.qq.com/web/reader/ce032b305a9bc1ce0b0dd2akecc32f3013eccbc87e4b62e)
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exampleSite/content/post/08-no-header-title/index.md
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exampleSite/content/post/08-no-header-title/index.md
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---
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title: "没有H1-6标题头和评论的文章"
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description: "用于测试在没有H1-6标题头时,文章的目录导航是否会直接关闭,并关闭评论功能。"
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keywords: "toc,header"
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date: 2022-10-06T09:02:26+08:00
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lastmod: 2022-10-30T21:03:16+08:00
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categories:
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- 示例文章
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tags:
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- toc
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- 标题
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comment:
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enable: false
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url: "demo/no-header-title.html"
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expired: true
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---
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刘慈欣2018克拉克奖获奖感言(部分内容节选)。
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> [!INFO]
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> 用于测试在没有H1-6标题头时,文章的目录导航是否会直接关闭,并关闭评论功能。
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<!--more-->
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先生们、女士们,晚上好,
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很荣幸获得Clarke Award for Imagination in Service to Society Award。
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这个奖项是对想象力的奖励,而想象力是人类所拥有的一种似乎只应属于神的能力,它存在的意义也远超出我们的想象。有历史学家说过,人类之所以能够超越地球上的其它物种建立文明,主要是因为他们能够在自己的大脑中创造出现实中不存在的东西。在未来,当人工智能拥有超过人类的智力时,想象力也许是我们对于它们所拥有的惟一优势。
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科幻小说是基于想象力的文学,而最早给我留下深刻印象的是Arthur . Clarke的作品。除了Jules Verne和George Wells外,Clarke的作品是最早进入中国的西方现代科幻小说。在上世纪八十年代初,中国出版了他的《2001:A Space Odyssey》和《Rendezvous With Rama》。当时文革刚刚结束,旧的生活和信仰已经崩塌,新的还没有建立起来,我和其他年轻人一样,心中一片迷茫。这两本书第一次激活了我想象力,思想豁然开阔许多,有小溪流进大海的感觉。读完《2001:A Space Odyssey》的那天深夜,我走出家门仰望星空,那时的中国的天空还没有太多的污染,能够看到银河,在我的眼中,星空与过去完全不一样了,我第一次对宇宙的宏大与神秘产生了敬畏感,这是一种宗教般的感觉。而后来读到的《Rendezvous With Rama》,也让我惊叹如何可以用想象力构造一个栩栩如生的想象世界。正是Clarke带给我的这些感受,让我后来成为一名科幻作家。
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现在,三十多年过去了,我渐渐发现,我们这一代在上世纪六十年代出生于中国的人,很可能是人类历史上最幸运的人,因为之前没有任何一代人,像我们这样目睹周围的世界发生了如此巨大的变化,我们现在生活的世界,与我们童年的世界已经完全是两个不同的世界,而这种变化还在加速发生着。中国是一个充满着未来感的国度,中国的未来可能充满着挑战和危机,但从来没有像现在这样具有吸引力,这就给科幻小说提供了肥沃的土壤,使其在中国受到了空前的关注,作为一个在六十年代出生在中国的科幻小说家,则是幸运中的幸运。
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我期待有那么一天,像那些曾经描写过信息时代的科幻小说一样,描写太空航行的科幻小说也变的平淡无奇了,那时的火星和小行星带都是乏味的地方,有无数的人在那里谋生;木星和它众多的卫星已成为旅游胜地,阻止人们去那里的唯一障碍就是昂贵的价格。
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但即使在这个时候,宇宙仍是一个大的无法想象的存在,距我们最近的恒星仍然遥不可及。浩瀚的星空永远能够承载我们无穷的想象力。
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谢谢大家。
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> [点击阅读全文](https://weread.qq.com/web/reader/ce032b305a9bc1ce0b0dd2akecc32f3013eccbc87e4b62e)
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